In the immortal and (blessedly) paraphrased words of Donald Rumsfeld: “There are known knowns. There are known unknowns. But there are also unknown unknowns.”
And unless their name is Snooki or ends with Hilton, authors begin their careers as unknown unknowns. Many aspire to become known knowns. How to get there from here is the question of discoverability, the second-hottest buzz-word in the book industry right now.*
I spent a lot of time as an unknown unknown. In fact, I like to think that I still am. I never set out to become anything different. But I get a lot of emails from people who think I know what I’m doing asking me for the secret for becoming known, and so here are my thoughts. First, some background, because I’ve watched this issue with interest long before I started writing.
Before I ever finished my first manuscript, I wrote book reviews for a crime fiction website and also for the New York Review of Science Fiction (okay, one review for the latter. Still fun to say). Once I began writing seriously, I took a job in an independent bookstore. Here, I read a ton of books and slathered our shelves with staff picks. I spent every spare minute of my life reading, writing, reviewing, editing, and publishing. Books were my life. Across these pursuits, I noticed a few things about how books are discovered (and more often: how they aren’t).
At any one time, only one or two books are going gangbusters. That’s it. You can chart the book industry around these releases. The Harry Potters, Twilights, Wimpy Kids, Stieg Larssons, Gone Girls, Hunger Games, 50 Shades, Dan Browns . . . they came one at a time through the bookstore, and we who work in the industry pule and moan during the weeks in between. “Where’s the next The Passage?” we ask ourselves. And our reps, who arrived with their stacks of catalogs, would promise that they have it right there. But they rarely did.
The entire publishing industry buzzes about which book might be next. Not BOOKS. Book. There’s a tier of bestsellerdom, and the very top, the ones we aspire to be like, are frighteningly rare. The chance of ever writing one of these books is about like winning a Superbowl, as the quarterback, and getting the MVP award. It was hard enough to get on my high school varsity football team (which is why I didn’t). So what’re the chances of being a Superbowl MVP? And yet, it is with this Potterdom/Elway dream that we sit down and begin work on our rough drafts.
The bestselling books in my bookstore were from people grabbing this rare “big thing.” Something to marvel over: Last year, 1 out of ever 20 books sold was written by E.L. James. That’s an extreme case, but I can tell you that when Harry Potter was out, my boss at the bookstore knew the ISBN by heart from keying it in so often. There is nothing more unrealistic than hoping to be discovered this hard. Sure, like the argument for playing the lottery, it happens to someone. But it doesn’t happen to a whole lot more someones. Nobody knows how to write or market these books on purpose. Not even the publishers with their massive advertising budgets or the reps with their stack of catalogs. They get just as frustrated about this as we do. Trust me, the mobs with their pitchforks and their torches pick houses seemingly at random. (The torches for reading under the covers. The pitchforks for anyone who interrupts their reading).
As someone who has been fortunate enough to see a small mob outside my door, is there any advice I can impart? That’s what these emails beg of me, and that’s why I’m writing this blog post. Because I’ll tell you, the great frustration from my success has been not knowing what the hell happened. I was just writing because I’ve always wanted to. Putting my stuff out there. Having a good time. Hell, I read better books than Wool all the time. That Ted Kosmatka and Max Berry don’t outsell me 100 to 1 is mind-boggling to me. As my mother used to tell me: “Life isn’t fair.” (What my mother lacks in Rumsfeld’s optimism, she makes up in honesty and terseness). The quest of the struggling writer, then, is to make life more fair. How to do that? How to become discovered? I can only tell you what I’ve observed in my journey from unknown unknown to “is-that-what’s-his-name?”. And I’m not certain there’s a lot to draw from it.
The first thing I’ve observed is that writing within a genre is a huge first step in becoming discovered. No one is looking for you or your particular book. You are both unknown unknowns. So you better write a book that’s near a specific book. You can either change your name to L.E. James or you can start writing billionaire erotica. Of the two, I’d go with the latter. Science fiction, romance, new adult, erotica, fantasy, crime, all sell better than literary fiction. Why? Because people are looking for genre work. Very few people set out to find a story about a man whose divorced parents both suffer from dementia and have moved back in with him, thereby fulfilling his childhood fantasy of seeing his parents reunited and no longer squabbling, but only because they have no memory of one another (copyrighted).
It might be a great story, and you may enjoy reading it, but how do you find it? You won’t. You can’t. But say you want a story that involves magic and dragons. Plenty of those to wade through, and you have a fair expectation of what you’ll get. Random fantasy books sell better than random randomness. You’ve written and published a known unknown. You’re halfway there.
I should point out here that if you want to write for the joy of it, as I did, write whatever you want. But this response is for people emailing me asking for advice in getting their book discovered. And so I say that you should write in a well-selling genre. I used to belong to a writing group in Boone, and most everyone there was writing a memoir. Nothing wrong with that. I was writing science fiction. We were both writing what we felt inspired to write. But when that group wonders why my books took off and theirs didn’t, it’s not the quality of the writing. It’s the dumb luck that I happened to enjoy writing what more readers are looking for. So let’s assume, since you want to be discovered, that you’ve written in a well-selling genre. Fine choice. Let’s also assume you’ve written a book that will please your audience (a well-written book, whatever that means, and the subject of a quite different blog post). Also a good plan. You’ve slapped the best cover art you can make or afford on there. Excellent. The blurb is engaging; it makes you really, really want to read the book . . .
Wait. Hold on. Your blurb doesn’t kick ass? It should. You’re a writer. Look, if you can’t write a Tweet a day that makes someone laugh or tear up or click on a link, you’re in trouble. What chance does your book have? And yes, this is coming from someone who sucks at writing blurbs and puts almost no time into it. Don’t do as I do. I’m telling you, you need to be able to put together a blog post, a Facebook update, an email, anything that keeps people reading. If you can’t, there’s a chance your book doesn’t either. (And yes, this is coming from someone who has already lost 75% of the people who started reading this silly blog post). Examine your talent for writing and engaging people in small doses. This is an indicator of what you can expect out of your books. If your “like” buttons on Facebook are developing a rash, that’s a good sign. If your forum posts are oft-quoted, excellent. If none of these things are true, keep trying! But perhaps lower your expectations for your book. (Incidentally, this is why I beg some of my more entertaining and hilarious Facebook friends to write a book. I would pay money to read more of their thoughts. It seems unfair that we derive so much entertainment from these people for free!)
Okay, assuming you’ve got a great book that is packaged well, how do you get it discovered? Now, I’m not bullshitting you here. I’m telling you the truth, as someone who was in this position and fully believed in what I did next. With my father telling me I should be promoting the hell out of that debut novel, I proceeded to . . . write my next book.
Stick with me. This is important. You’ve got that great book under your belt. Well guess what? You’ll look back one day and realize it wasn’t your best work. Not by far. And not only because it was your first but because of the small sample size. You need to get a few books out to find out which one is your best, and that means writing more.
I ignored all advice to push the hell out of my novel (advice to go to conferences, do signings every weekend, blitz bloggers and reviewers, etc.) and spent my time writing. Mostly because that’s what made me happy. I had 8 or 9 published works before one was discovered. I’m not suggesting that anyone who publishes a handful of works will have success, but I think you should start there. Let’s say 10. A dozen. A nice mix of novels, novellas, and short stories. Have a dozen of them published before you worry about being discovered. Because I’ll tell you, the backlist is where you’ll do well. I think this is the reason the top earning authors today are one of two people: Those authors who had a large backlist to move into e-books after reverting rights on previously published traditional books, and those authors who can crank out 5-10 works a year. Having a library matters more than any other thing. It increases your exposure. And any happy reader is likely to move on to your other works. A quick note here on happy readers:
It is nearly impossible to make a living selling books directly to readers. It’s too hard to sustain. All the marketing in the world won’t launch your career if the work doesn’t market itself. That doesn’t mean there’s some secret to writing a book that markets itself, it just means that if you are having to browbeat people into every single purchase, what happens when you let up? The sales stop. This is why writing more is the best investment you can make into your career. Not to mention that begging for sales is no fun and unseemly. Even when I did do signings with my physical books, I mostly just sat there and read or worked on my next project. Waving people over was no fun. And anyway, it tends to scare people away.
Okay, now you’ve got a dozen or so works written and published. All of them great, all are beautifully packaged. You’re sick of writing. You want to start selling books. Earning some money. At least, that’s what you’re emailing me and saying you want to do. Well, I’d say you’ve now set yourself up nicely. There’s no problem at all with those books having sat there not selling for the past three or four years. They are as fresh as the day they were born. No expiration on those suckers. No “sell-by” date. Now you can get started.
First, set up a blog, a FB page, a Twitter account, and a G+ account. You’ve most likely been using these already, since you have a heartbeat. First thing: Don’t ask people to buy your stuff. Don’t do it. Ask people to READ your stuff. Pick a few of your works — first titles in a couple of your series are a good idea — and give them away. Tweet your favorite lines (that really good stuff that makes you ctrl-s the moment you write it). Tweet in the voice of your characters. Just a half dozen of these a day. Do it while you’re at work. Your new life now is to show the world your best material and see if any of it sticks.
On your FB page, take a screenshot of your abysmal book rankings. Laugh at yourself. Or celebrate your progress. Or think of something else. Just because I did this doesn’t mean it fits with what you would do. But engage people by letting them know you’re a writer, not that you’re dying for them to buy something. If they pirate the work and read to the very end, that’s a good thing. You just made a reader happy. You have a fan.
Over on your blog page, write about writing. Write about life. Post that one chapter that kicks so much ass, you can’t believe you wrote it. Post an action scene, a love scene, snippets of dialog. It’s good shit, remember? You said so. We agreed it was. Get it out there. List every idea you’ve ever had for every great book you never wrote. Don’t worry about people ripping you off. Worry about people not reading you. (Someone is probably working on that literary fiction idea of parents moving back in with their son right now).
On Google+, go poke around and see if you can figure that shit out. Email me if you do.
Now’s a good time to interact with your readers. Both of them. Thank them for being awesome, for having written that review, for giving your work a chance. You might notice they are the ones who spread the word. Soon, you’ll have four readers. Are you still giving your stories away? Did you wake up one morning and realize you still feel like writing? Write that story and give it away as well.
When people complain that your work is too cheap or too free, tell them it’s because you love your readers. Now you’ve got eight of them. If you don’t fully appreciate having 8 strangers in your life who read your shit, you aren’t a desperate enough writer. Be more desperate. Not to sell your work, but to have it read and enjoyed. This is the goal, and keep it in mind: Write something enjoyable and see that it gets read. One line at a time. One chapter at a time. One short story at a time.
Make videos. Just be yourself. Videos are great, because words don’t convey intention very well. Let people see who you really are, even if you’re an asshole. Some assholes are cute. The bleached ones, I mean.
A few things you should have done by now that I should have mentioned earlier: Exhaust all formats. Make sure you have print editions through CreateSpace. Make audiobooks through ACX. Both cost you ZILCH! They are free. Why aren’t you doing this? Physical books make the e-books look like a great deal. On the Amazon page, it shows readers how much they’re saving. Audiobooks make you look like a media empire. You’ll have something to sign and something for people who say “I only listen to books these days.” Amazon’s algorithms will love you for having multiple formats. I think.
Boy, it took long enough to get to Amazon’s algorithms. When you pick your categories (you only get two), make sure they don’t overlap. And pick specific categories. If you take FICTION > SCIENCE FICTION > ADVENTURE, you’ll show up in all three of those categories (as well as BOOKS and the even larger Amazon category: SHIT AMAZON SELLS). Remember: you inherit the parent categories. If you just picked SCIENCE FICTION, you missed out on a crucial category! Another good one might be FICTION > THRILLER > ESPIONAGE (making that one up). Now your book is in more places.
Als0-boughts are critical. If you show up with another author, get in touch with that author! See if you can cross-promote together. Tell your 8 readers about their work. Have them tell their 8 readers about yours. Guest blog with each other. Bundle. Have a dance-off! Look through your also-boughts now and then and see who the next biggest person is who might accidentally return your emails. Be nice to these people.
I can’t believe it’s taken this long to mention being nice. Another area my mom gave me good advice. “Be nice to your sister,” she would tell me. “Be nice to your brother,” she would say. “Be nice to your mother.” I got this last one a lot. I eventually generalized this to: “Be fucking nice to people.” If you aren’t already doing this anyway, why not? If you’re doing this just for the hope of some reward, you’re doing it wrong. Just do it. It all comes back around. I’ve watched a lot of people be shits to their peers, and most of them aren’t doing so well. It’s because we generally root for nice people. Be one.
What else? Oh . . . be entertaining. Look, if you are Tweeting and blogging and Facebooking and your handful of followers aren’t smitten with every single thing you do, you need to up your game. Did you read an interesting article? Share it. And share your witty opinion of it. I mentioned this before, but it bears repeating: Write good stuff.
Also: Work hard. All of the above is a lot to do. You’ve gotta start with a dozen works that kick ass, that you edited 7 or 8 times yourself, then got someone else to look over, and another someone, and put nice cover art and blurbs on, and uploaded to five different digital retailers, and did print and audio. Damn! That’s a lot of work. Now you’ve got to CONSISTENTLY blog and Tweet and Facebook and make dance videos. If you take a few months off in a row, you’re not doing it right. You have to keep at it even when no one is watching or listening. You have to love it even when you aren’t selling. You have to appreciate every single sale, every review, every like, every re-Tweet, every mention, every Google Alert. Every single one.
Can you do all of that? If you can, and you give it some years, and you keep reading in the meantime to remember why you’re doing it, and you keep honing your craft, you will sell a few thousand books in your lifetime. And very likely, a lot more than that.
Something you shouldn’t do: Stop reading articles from self-professed self-publishing failures who have a single short story out and can’t figure why agents aren’t calling. Stop looking at the extreme outliers in any profession (self-published, traditional, NFL) and wondering when you’ll get there. It’s okay to dream, but don’t bank on this or need this. Your goal is to write a book. Sell a book. And then do it again.
Finally: Do it because you love it. The best way to be discovered at anything in life is because people are drawn to the sound of you laughing or the sight of you smiling or the joy of you dancing. If you are miserable, people are going to run away. And you won’t produce quality material. Hemmingway is proof of this (he was only truly happy when he was drunk and depressed, so don’t use him as a counter argument). Look, if you’re having a good time, you can’t lose. You are writing books, motherfucker! How crazy is that? Didn’t you dream of that your entire life? You are on the team! Keep playing hard, and good stuff can happen. Keep playing only because you won’t be happy until you win a Superbowl, as the quarterback, while throwing five TDs and no interceptions, and you’re going to be miserable with life.
Don’t be miserable. Be happy. And nice. And work hard. And get discovered. How, exactly? I have no fucking clue.
*The hottest buzzword is: metadata. No one knows what this one means. It’s a known unknown.
41 replies to “Discoverability and Donald Rumsfeld”
Great advice, thanks! I’m definitely going to incorporate your suggestions into my reaching-readers strategy.
Great post! Very insightful, even though I’m not a professional writer – I can totally see this being helpful… (maybe even for myself, sometime in the future!?) Thanks!
Excellent advice- I really need to get writing now… lol.
I definitely agree that what sells the story is the strength of the plot and the characters, and not as much the marketing part (although cover and blurb are biggies too).
(BTW, I think your blurbs are very good at sucking a person in.)
Anyway, if I didn’t like Wool so much, I wouldn’t have checked out Halfway Home (or your other stories) or started recommending your books to people. I think word of mouth is everything, and readers have to like the book before they’ll bother passing a recommendation along.
Now, if only it was easy to write the story and then flip to perfect reader mode and know exactly what didn’t actually work. Thank goodness for beta readers.
I missed hearing you speak at IDPF because I was in a smaller, colder room, listening to people talk about…wait for it… metadata.
Keep it up!
My adrenaline shot up to the roof, Hugh. That’s why I keep following your posts. I have just published my first novel Prince of Nepal and I’m finishing up the next one.
I was fascinated with your consistency of encouraging us to have a back list of novellas and short stories. That’s what I’m doing right now. I set aside my time to socialize and blog. You’re right, we don’t need to beg them to buy but tell them we’re writers and we adore to get our work pirated by them.
Thanks Hugh. You made my day.
Great piece. And you know those first 2 readers, 4 readers, 8 readers, etc? I think they’re all still hanging out, buying your books, and putting them into the hands of other readers. That’s what any writer ought to be shooting for.
And I’m with you on Google+, too. But then, I think everyone’s on the same page about Google+.
I think you’re #3. :)
I rest my case.
Don’t forget goodreads. Promote the shit out of yourself on goodreads, too.
[…] Visit Hugh’s newly amped site and read the rest here: Discoverability and Donald Rumsfeld | Hugh Howey. […]
What a nice article. Thanks for this, Hugh. I followed the rules and did my research and everything else I could think of, but in the end, Discoverability is something you can’t really force. You just need to keep on writing and try your best to write entertaining stories.
If you don’t mind, I reblogged this post with some comments of my own.
Man, I love it when wildly successful authors tell me to do what I was already doing anyway :)
Thanks for the tip on Ted Kosmatka and Max Berry!
Thanks for the article Hugh. Great advice. I’m struggling through the tenth edit of my 20k word kids chapter book and it’s a slow, slow process. Not sure how I’m going to fire up the ten books for the back catalog. I guess having a ton of full page art isn’t something that is going to speed things up either. I wonder if I’ll have to deal with the amazon digital delivery thing taking another piece of the pie…
HUGH, I think this is the best blog I have read from you, although I haven’t been following your blog for long. Honestly, Seriously, Truly, this is GREAT advice and encouragement for so many of us. A big THANK YOU all the way from Pakistan.
(Awesome… My login still works… XD)
So, is that whole “parents moving in” story idea of yours this “Kill Screen” you’ve been writing? XP
But seriously… my login sti… Oh, yeah, that was gonna be another bad joke… So moving on… Great article! Made me laugh, made me cry (remembering that I was too writing at some point a book… That I should get back to I guess…) but also reminded me why I still read your blog! Awesome stuff like always.
Also, LOVE the new look of the site… it’s all pro and stuff… MUCH better than the default theme you had before…
I love the image of you sitting around a room with other Southern’s with their memories and you reading apocalyptic fiction.
I agree with the paperback and audio book idea behind discoverability. Handing someone a signed paperback gives me more respect than showing my book on a Kindle, paper makes it more real for some people.
P.S. you do the nice thing very well.
Nicely done again, Hugh. You consistently talk great sense about the self-publishing revolution, and this post hits square on what is probably the most important aspect outside of the actual quality of your writing and how good your stories are.
I’m one of those people who has drawers full of manuscripts that I’ve written and stashed away over the last 25 years. Back when I started writing the only way to find an audience other than your mum and your dog was to have connections in the publishing industry or attract an agent. Actually that’s not strictly true, there were fanzines and self-published compilations. I wrote for a number of very small circulation fanzines in the games hobby back in the 70’s and 80’s, but it wasn’t an outlet for fiction. I used to look at the books on the shelves of Dark They Were And Golden Eyed in and Forbidden Planet in London and wonder how I could get my stories on the shelves.
Now we have the good fortune to live in an era when any damn one of us can put our work out there, so instead of competing to find the narrow point of entry into publication we’re competing to be heard among the crowd. For me, having one more reader than my mum or my dog is a winner. Actually, I’m getting a kick just from having my editor read through and critique the first piece I’m going to put out there.
Thanks for the discoverability piece, Hugh, and as a newbie to having a go in this wonderful new world I’d add the comment: “try something different from what everyone else is doing”.
This is an evolving marketplace, and if we all just copy the same approach we’re going to get lost in the mix. Most of the techniques and approaches that Hugh mentions didn’t exist ten years ago. New paths to finding readers are going to open up and we’re going to need to try all of them at some point. I don’t know what they are – heck I’m new to this whole thing – but I’m going to poke around and see what I can come up with.
Great article Hugh
[…] Discoverability and Donald Rumsfeld | Hugh Howey […]
Thank you, author Hugh Howey, for offering up encouraging words. You bastard. Thanks for sharing from your experiences, such as they are. You bastard.
Maybe there are other new writers that don’t need the reminder that this process has a time frame measured in years, but I do. I sometimes look ahead at the work needed and a little voice filled with doubt starts screaming inside. Every time that happens, though, so far, I find a new blog post, or book passage, that calms me down like this. It tells me to just keep writing. Next word, next word. It isn’t always from you. – No pressure. – There is a large, giving community of writers these days that just can’t shut up and regularly dispense with simple stories about how they have survived. I know it helps me.
Thanks for the detailed article, Hugh. I’ve been wrestling with the idea of writing more vs. stepping up the social marketing and trying to sell the few works that are published by sheer force. I loved that you said write 12 books/stories, then think about that stuff! I feel like this article has steered me in the right direction.
Anyways, I was wondering if you ever used the KDP Select free promotion days? Or was your success already happening when that marketing strategy came out and it was unnecessary? Or…?
Thanks for putting this out there and for writing it so well. No wonder I keep coming across discussions (heated and otherwise) about you, your success, and your opinions. Kudos and, again, thanks for solid advice.
People have heated discussions about me? Because I live in South Florida?
How far south, Hugh? (Burning my way through a Hiaasen novel. Reminds me of some of the interesting folk I used to meet hitchhiking in southern Florida.)
This is one of the best posts I have read on “discoverability” Hugh.
My favourite piece of advice though is:
“Okay, assuming you’ve got a great book that is packaged well, how do you get it discovered? Now, I’m not bullshitting you here. I’m telling you the truth, as someone who was in this position and fully believed in what I did next. With my father telling me I should be promoting the hell out of that debut novel, I proceeded to . . . write my next book.”
Simple, straight to the point and no b.s. :)
[…] as this fantastic blog post states, is the second-hottest buz-word in the book industry today. (The hottest word is […]
[…] According to bestselling sci-fi author Hugh Howey, […]
Love this advice! I’ve read on Dean Smith’s blog about not worrying about promoting until you get a lot of titles up and I didn’t listen of course ha! Then I read it from you and now I’ve decided to take the next 12 months and focus on content content content!! I’ve always wanted to be a writer and I’m now pursuing it! Continued success to you and thanks for sharing what you know/have experienced with us! It’s much appreciated!
I love the advice to tweet great lines/funny bits from the book. My cover designer tweets a lot and he sent me the advice to be tweeting daily and my thought was “great advice, but what do I tweet other than buy my book?” LOL, I might make that my next tweet! Anyway, you gave me a great answer to the question. Thanks.
” man whose divorced parents both suffer from dementia and have moved back in with him, thereby fulfilling his childhood fantasy of seeing his parents reunited and no longer squabbling, but only because they have no memory of one another ”
Is that the outline an actual book?
It’s one I’ve thought of writing, yeah.
“On Google+, go poke around and see if you can figure that shit out. Email me if you do.”
That was my favorite part of the whole article.
Don’t just email someone, go tell Google.
The worst part about G+, is not that it is a crap sandwich Google forces us to buy, but it expected us to eat it too.
There is a difference.
Google is so big and powerful, it can make Myspace and AOL look fresh and new again.
I’ve been slowly going through some of your older posts and this one is really great! Very helpful and informative. I’ve been doing some editing and I keep encouraging a person to write the second and third books in a series he has planned-he wants to wait until the first one “takes off”. Oy. I’m sending him this.
Now, as articulate as your posts are, I have to say I love it when you swear. I don’t why I get such a kick out of it. Maybe because it reinforces my already liberal potty mouth. I laughed out loud when I read motherfucker. Reminds me of my favorite movie line. Of all the beautiful dialogue and prose available…
Yippee ki yay… :)
Not sure whether this is self-help or comedy, but it works great as both. Pretty sure it’s not inspirational or motivational because those guys take themselves way more seriously. Maybe it’s one of those mixed-genre hybrids you can’t find in a bookstore because nobody will read them, except it can’t be that because a boatload of people have apparently already read it. Hmmm. Oh, I got it. If it can’t be defined, it must be literature.
Well, Mister Howey, this is a mighty fine piece of literary blogging. I sure did enjoy it. And was right edified by it, too.
[…] building a body of work, and being in it for the long haul. Michael also suggested reading Discoverability and Donald Rumsfeld, a post by Hugh Howey, which I found […]
Like you, I was writing all types of things. So with five published in two months (ok – I had a backlog of unpublished work) one started to move. What did I do? I wrote a sequel. Four weeks later I’m halfway through it. Now I have 14 planned in that genre.
While this is happening, my two biggest novels (one is a New Zealand historical novel at 175,000 words) are being prepared for release. Why? because I had finished them and now want them out of the way, and while I’m writing new Apocalyptic Survival Novels, they might begin selling too. Who knows?
So yes, I agree with every word but figured it out myself. How I did that was watch people post stuff on Facebook and expected it to create results. I scatter gunned until something worked. My secrets will be revealed later on when I cease being an unknown unknown!
Thanks, Hugh, for a very encouraging post. It reinforces what my gut was telling me: write. The social media and being discovered will come down the line. I just put out 4 books on Amazon and was beginning to get swept up in the gotta-get-them-in-everyone’s-face rush. But what I really like is writing. Not Tweeting or posting on Facebook or any of that stuff. And what is especially encouraging about your blog is that everything you recommend doing will come in time. The most important thing is to generate your own backlist so people have more than one title to read when they do find you. Thanks again. I’m going to link to this on my blog.
[…] just read a wonderful article on writers becoming “discovered” over on Hugh Howey’s blog. Hugh gives advice to budding authors on what they should be doing to get discovered. It was a […]